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	<title>Comments on: Glass</title>
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	<link>http://www.thelisteningblog.com/2009/08/glass/</link>
	<description>“Listen all the time, and remind yourself when you’re not listening, or else the mike and the tape recorder will get the best of you.” – Pauline Oliveros</description>
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		<title>By: Ryan Fleming</title>
		<link>http://www.thelisteningblog.com/2009/08/glass/comment-page-1/#comment-13614</link>
		<dc:creator>Ryan Fleming</dc:creator>
		<pubDate>Tue, 11 Aug 2009 19:57:06 +0000</pubDate>
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		<description>Glass is a unique material with interesting properties.  The different frequencies and harmonics that glass can produce is very cool.

Reading this reminded me of a cool video I saw on psychoacoustics.  There is a software instrument called Omnisphere by Spectrasonics that was made in a completely different way than most samplers/synthesizers.  The Spectrasonics team took unique and different objects and recorded them in various ways (in cathedrals, with swirling microphones, etc...) and then turned these samples into amzing sounding instruments.  They&#039;re goal was to take organic sounds that were completely natural and bring out the &quot;hidden&quot; frequencies to unveil new types of sounds.

I think you should take a look at the video on their website http://www.spectrasonics.net/instruments/omnisphere_videos.php in particular video 3 on psychoacoustic sampling.  Maybe you could post your thoughts about it.  It seems like this is a perfect fit for TLB because they take the natural sounds in life and turn them into increadible sounding instruments.</description>
		<content:encoded><![CDATA[<p>Glass is a unique material with interesting properties.  The different frequencies and harmonics that glass can produce is very cool.</p>
<p>Reading this reminded me of a cool video I saw on psychoacoustics.  There is a software instrument called Omnisphere by Spectrasonics that was made in a completely different way than most samplers/synthesizers.  The Spectrasonics team took unique and different objects and recorded them in various ways (in cathedrals, with swirling microphones, etc&#8230;) and then turned these samples into amzing sounding instruments.  They&#8217;re goal was to take organic sounds that were completely natural and bring out the &#8220;hidden&#8221; frequencies to unveil new types of sounds.</p>
<p>I think you should take a look at the video on their website <a href="http://www.spectrasonics.net/instruments/omnisphere_videos.php" rel="nofollow">http://www.spectrasonics.net/instruments/omnisphere_videos.php</a> in particular video 3 on psychoacoustic sampling.  Maybe you could post your thoughts about it.  It seems like this is a perfect fit for TLB because they take the natural sounds in life and turn them into increadible sounding instruments.</p>
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	<item>
		<title>By: Idhrendur</title>
		<link>http://www.thelisteningblog.com/2009/08/glass/comment-page-1/#comment-13512</link>
		<dc:creator>Idhrendur</dc:creator>
		<pubDate>Mon, 10 Aug 2009 16:09:52 +0000</pubDate>
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		<description>For years I&#039;ve wanted to use the sound of breaking galss (also the sound of broken glass) as a musical instrument. It&#039;s beautiful, if destructive.</description>
		<content:encoded><![CDATA[<p>For years I&#8217;ve wanted to use the sound of breaking galss (also the sound of broken glass) as a musical instrument. It&#8217;s beautiful, if destructive.</p>
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